Tag Archives: Level Design

Battlefield 5

Platform: PC, Xbox One, PlayStation 4 Time: Present Project |  Role: Level DesignerTeam Size: ~70

Design Goal: Support Battlefield 5’s live service pipeline with high quality content for players.

My Contributions:

  • Level design on an unannounced Battlefield franchise product.
  • Augmented EA Criterion’s design of a major area in Battlefield 5’s battlefield royale, Firestorm.
  • Applied the fortification feature within multiple maps, and modes in Battlefield 5.

Battlefield 1

Introduction: Over the summer of 2017 I interned at DICE LA, a studio of Electronic Arts. That time was spent working with DICE LA to ship the downloadable content In the Name of The Tsar for Battlefield 1.

Platform: PC, Xbox One, PlayStation 4 Time: 12 weeks |  RoleGame Designer | Team Size: ~70

Design Goal:

  • Deliver high quality level content through iteration.
  • Develop my ability to analyze and critique level design in a professional environment.
  • Practice supporting the efforts and vision of senior designers on the team.

My Contributions:

  • Bolstered Battlefield 1’s DLC content with map analysis. This took the form of:
    • Collecting, processing, and documenting Battlefield 1 level data.
    • Offering map feedback in topics including flow, map features, cover, spawn placement, and play space volumes.
  • Used Frostbite’s visual scripting language to implement bug fixes, as well as apply and maintain game modes such as Supply Drop, Team Death Match, and Domination.
  • Created exploratory paper maps for Battlefield 1’s Apocalypse DLC.

Grapes of Wrath – Map Design Lessons

Last week I designed Grapes of Wrath, a concept for a multiplayer level in Battlefield 1. Reflecting on the experience I will detail my process, and lessons learned in the hope of enriching myself and others.

I initially split design into two segments. Theme & Structure.

Theme

Given an aim to create a post apocalyptic theme I began my research with reference images.

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In addition to reference images I sought out other forms of media such as movies, book and games that were set in a post apocalyptic setting.

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What struck me most when reviewing this material was the desolate landscapes, and ruinous infrastructure. I intended to include these elements in some manner in the map I designed.

Structure

In the context of Battlefield 1 I define structure as map objectives, points of interest, unit design, and player flow.

Research

My research into structure began with two of Battlefield 1’s modes, Conquest & Rush, both of which I intended to accommodate within my map design.

Modes

Not only did I experience these modes by playing them, but I used spectator mode to watch the battle play out at a meta level. This allowed me easily see how objective placement, and points of interest affected player flows.

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Unit

I then looked at Battlefield 1’s units. A study of the different infantry classes, tanks, airplanes, and vehicles revealed sub-categories, each of which had different play styles:

  • Air
    • A fast but weak plane
    • A slow but powerful bomber
    • A hybrid plane
  • Tanks
    • Glass cannon artillery
    • A fast but weak tank
    • Slow but powerful tank
    • A hybrid
  • Infantry
    • Short
    • Medium
    • Long range
  • The Behemoth – A lead breaker

Battlefield 1 is a web of balance, and what I found was their vehicles cater to extreme playstyles with disadvantages, and usually a third averaged option.

Cerebral Design

Combining map knowledge and player elements I created a ‘cerebral map’ for Rush and Conquest. These maps included player flows, and major elements such as the Behemoth route, and an underground bridge.

For Rush mode the map intended to convey that attackers would become weaker over time, and defenders stronger whereas in Conquest it should be balanced strength. I hoped to achieve this experience with various measures such as:

  • Placing map objectives progressively further from attackers and closer to defenders in Rush
  • Giving more elite kits and vehicles to defenders as the attackers captured objectives in Rush
  • Balancing elite kits and vehicle spawns in Conquest

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My cerebral map was an initial pass at an experience, which was all well and good, but it clearly was not a map! What I had created was akin to a disfigured skeleton which needed a layer of flesh, and its bones tweaked.  A location was needed to root these abstract concepts in. Therefore Location became the third segment of my design process.

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